The photographic life of WOLFRAM SCHROLL began with Baryta paper, fixer, dry pressing, green light, the Durst Laborator photo enlarger and the Tri-X from Kodak. "A light-sensitive film with 400 ASA and a distinctly grainy structure. It liberated me from the tripod and enabled a new kind of photography. Little or preferably no artificial lighting, hand-held shots, always close to the subject. I often do this even today, decades later. But...